What We Talk About When We Talk About Raymond Carver
I had lunch with a co-worker the other day who is also an avid fiction reader and we were talking about teaching the Philadelphia Stories ' fiction workshop. He asked me what stories we would be reading for class and I listed off a few of the ones I love to assign, including Tim O'Brien's "The Things They Carried," "In the Cemetery Where Al Jolson is Buried," by Amy Hemple, "Love is Not a Pie," by Amy Bloom, Lorrie Moore's "Terrific Mother," and pretty much anything by Raymond Carver. My friend then told me that there had been all this controversy about Carver's work--that much of the final story was the work of significant edits and cuts by his editor, Gordon Lish. He sent me this link to the New Yorker article, "Rough Crossings: The Cutting of Raymond Carver." Basically, the article describes how Lish slashed huge chunks of Carver's writing, paring it down into the sparse prose that's been compared to...